![]() It can be set to detect humans, animals, birds, insects and cars/trains, aeroplanes, and Sony’s Human Pose Estimation technology is on hand to help the camera recognise and track humans in the frame when shooting stills or video. Like the A7R V, the ZV-E1 has a dedicated AI processing unit to help with subject detection and focusing. Like Sony’s other recent cameras, the ZV-E1 features Focus Breathing Compensation, Focus Map, Focus Assist, AF Transition speed adjustment and AF Subject Shift Sensitivity control to help ensure the correct subject is sharp and changes in focus are smooth. These can be combined with 4 ‘Moods’, Auto, Gold (warm), Ocean (cool) and Forest (green), to give footage a range of appearances.Įxperienced users can also use the S-Log profile with assignable LUTs to get the look they want for their footage, however, it’s not possible to record raw video. There are also 5 ‘Looks’ available S-Cinetone, Clean, Chic, Fresh and Mono. The ZV-E1 introduces a new Cinematic Vlog mode in which the camera’s aspect ratio is set to 2.35:1 and the frame rate is fixed at 24p (23.98p). At launch, the camera can shoot 4K video at up to 60p, but in June a free firmware update will boost this to 4K at 120p and take Full HD up to 240P in S&Q mode. The Sony ZV-E1 is capable of shooting 4K or Full HD video with 10-bit 4:2:2 colour in All-intra. ![]() It also shares a lot of the AI-powered capability of the Sony Alpha A7R V. As it uses the same 12MP full-frame sensor as the A7S III, it should produce results on a par with the popular filmmaker’s camera, with similar low light capability, 15+ EV dynamic range and an ISO setting range of 80-102,400. It’s designed to bridge the gap between cameras such as the Sony ZV-E10, (and the compact Sony ZV-1 and ZV-1F) and more advanced models such as the Sony A7S III, FX30 and FX3, and is aimed at content creators.Īccording to Sony, the ZV-E1 is the world’s smallest full-frame interchangeable lens camera with IBIS – in-body image stabilisation.Īlthough the Sony ZV-E1 can capture stills, its primary purpose is video creation and it has a number of features to make content creation easier. It’s basically an extra-long DVD commentary (over 80 minutes long!) but for geeks of the show, it’s never dull.Sony has announced the ZV-E1, a new full-frame interchangeable lens mirrorless camera which uses the same 12MP sensor as the Sony Alpha A7S III. The most recent installment features a roundtable of sorts with Al Jean, Mike Reiss, Jay Kogen, and Jeff Martin, writers for The Simpsons back when Conan was just a TV writer.įor any fans of The Simpsons or comedy in general, it’s great to listen to five comedy writers talk about what went into making some of the best television in the history of the medium, as well as a few anecdotes about being in a writers’ room and dealing with celebrities. Past guests include Jack White, Judd Apatow, and Statistician Nate Silver. If you aren’t a regular viewer of Conan O’Brien’s show, you may have missed the fact that he has been hosting a series of long-form discussions titled Serious Jibber Jabber on the show’s website. For me, The Simpsons has taught me everything I know about writing jokes and to this day, I can go back to the classic episodes that I’ve seen a thousand times and laugh as hard as I did when I first saw them. The Simpsons is easily the biggest influence in my life when it comes to comedy and writing, in a way that previous generations of burgeoning writers looked at Monty Python or Mad Magazine. For anyone that knows me, it’s probably a surprise that there’s only been one post about The Simpsons in the two months this site has been up and it wasn’t even written by me.
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